https://www.megatube.xxx Mon 27 Apr 2026 05:15:21 +0200 https://www.megatube.xxx/albums/25269/cuties-rina-ellis-and-eliza-jane-know-how-to-get-an-orgasm/
After an unexpected cold snap takes Rina and Eliza by surprise, the two BFFs huddle together for warmth, but Eliza's blanket isn't quite big enough for the two of them! The girlfriends can't get warm enough like this, but as they start a playful tug-of-war over the blanket, they soon think of another way to share some body heat! Eliza leans down for a kiss that soon turns to more as the beautiful babes run their hands over each other's stunning bodies, and before long they're feeling positively hot and sweaty! Rina tongues Eliza's sweet pussy before the cute blonde returns the favor, and these besties are soon locked in a passionate embrace as they scissor their way to passionate climax! ]]> Thu 16 Sep 2021 19:52:22 +0200 https://www.megatube.xxx/albums/25269/cuties-rina-ellis-and-eliza-jane-know-how-to-get-an-orgasm/ https://www.megatube.xxx/albums/25065/hot-games-and-lesbian-sex-from-eliza-jane-and-shyla-jennings/
]]> Tue 17 Aug 2021 19:53:51 +0200 https://www.megatube.xxx/albums/25065/hot-games-and-lesbian-sex-from-eliza-jane-and-shyla-jennings/ https://www.megatube.xxx/albums/25049/eliza-jane-to-get-acquainted-closer-with-a-new-stepmother-sarah-vandella/
]]> Thu 12 Aug 2021 16:29:52 +0200 https://www.megatube.xxx/albums/25049/eliza-jane-to-get-acquainted-closer-with-a-new-stepmother-sarah-vandella/ https://www.megatube.xxx/albums/22617/skinny-blonde-eliza-jane-likes-getting-huge-cumload-all-over-her-face-and-tits/
Brandi and Alexis leave their husbands – for each other. But is there something missing from this wet lesbian paradise? With two stepsons on the loose, forgetting about the dick is easier said than done. Will a little side D save this lesbian love – or end it forever? ]]> Fri 16 Jul 2021 09:40:05 +0200 https://www.megatube.xxx/albums/22617/skinny-blonde-eliza-jane-likes-getting-huge-cumload-all-over-her-face-and-tits/ https://www.megatube.xxx/albums/20661/eliza-jane-showcasing-her-tender-body/
Eliza Jane has always wanted to make a name for herself, and now that she's been presented with an amazing opportunity to model for the BANG! Network, she can finally get her face out there and celebrate her sexuality at the same time. Soon her face is covered in a thick layer of cum, and she can't wait for that to be the way people remember her. ]]> Fri 04 Sep 2020 10:54:43 +0200 https://www.megatube.xxx/albums/20661/eliza-jane-showcasing-her-tender-body/ https://www.megatube.xxx/albums/19839/cute-blonde-eliza-jane-first-anal/
Cute blonde Eliza is in trouble with her parents. She has been caught with weed in her jacket pocket and they have sent her to see a therapist. During her first session her doctor is pretty quiet, but after a while he puts a proposal to her. He tells her she has a problem with authority and as she is such a naughty girl, she deserves to be spanked. She is a little shocked but so turned on and takes no time in being punished in every way possible - including one way that she’s never experienced before. This therapy is sure to teach her a lesson she won’t forget. ]]> Tue 14 Jul 2020 19:40:29 +0200 https://www.megatube.xxx/albums/19839/cute-blonde-eliza-jane-first-anal/ https://www.megatube.xxx/albums/12315/19-year-old-girl-eliza-jane-held-by-unknown-powers-and-tricked-into-fucking-for-freedom/
SCENE opens on an unconscious 19-year-old girl, Nora, lying on the floor of an empty cell. She is wearing 'weekend' clothes: a tank top and skirt. From her perspective, we hear the voice of a man telling her to wake up. As she comes to her senses, she opens her eyes and, through her POV, sees a man, Alan, clearly older than her, mid 30s, dressed in boring business clothes (math teacher). 'Are you okay?' He asks. She screams and tries to get away from him. The man also gets frightened and moves away in his corner. 'I don't want to hurt you, I'm in here like you!' The girl lets out a gasp and looks around the cell, nervously pacing. 'It's no use,' says Alan, nervously. 'I've tried.' 'Where are we?' asks Nora. 'I don't know! I think we might have been... taken!' While screaming and kicking, Nora notices a security camera in the corner of the cell, near the ceiling. She screams at it 'LET US OUT!' Alan, still in shock his corner of the cell, says 'I've been here almost a full day, they haven't said anything. I think they brought you in when I was sleeping.' Nora sits down, her head in her hands. 'What do they want from us?' Alan responds 'I don't know... all I know is that we are being watched .... and... there is...that!' He points to the '4th wall.' From the POV of the wall, Nora gets up and slowly walks towards the camera. A reverse shot reveals a big digital clock reading '23:55:04' and counting down. CUT TO TITLE PLATE CU of the clock: 19:59:39 and counting down. Under the clock are 5 unlit led lights. Nora is in a ball in a corner of the cell, rubbing her arms to be warmer. Alan is in the other corner sleeping. As she shivers harder and harder, Alan wakes up. 'It's almost been 2 days, look at you ... you are shivering! I told you I am not going to hurt you. Come and sit next to me, I'll warm you up.' 'No thank you' she replies. Alan gets up and removes his dress shirt, leaving him in an undershirt. He walks towards Nora 'At least take this, I can't stand to see you like this!' She is clearly hesitant, but lets the man come closer. As he puts his shirt around her shoulder, he kneels and says 'here, at least you won't freeze!' He puts his hand on her folded leg. As soon as their skin touches, all lights shut down, and a mechanical sound is heard. When the lights come back on, two blankets and a whole chicken are on the ground. At first, both fear the noise, but then see the blankets and food. They both jump on it. They wrap themselves in the blankets and start eating like starved animals each in their corners. The camera slowly pans towards the countdown on the wall. 19:57:22. Smash cut to the bare chicken bones on the ground. We can hear their bellies grumbling. Both detainees are sitting in their corners. Nora speaks 'So... do you think at the end of this countdown they will let us go?' As she points to the clock, it now shows 37:13:45. 'I don't know,' says Alan, rubbing his wedding ring. 'I'm... I'm Nora by the way.' 'Alan.' A silent moment. Nora adds ' And... what were you doing before... you know.' 'I was going home from class... I... I teach math at Northwestern, and I'. Before he finishes, Nora cuts him 'I used to go there.' She tells him how she used to attend College to become a lawyer but dropped out when she turned 19 because she wanted to become a painter. He tells her how he was in a promising band in College but was pressured into taking a real job by his girlfriend of the time. They share a look that says, 'We are different but we are the same', followed by an awkward moment. 'Good night Alan' she says, before turning away in the blanket. 18:29:56 Nora is pacing the room as Alan is sitting in a corner, rocking back and forth rubbing his wedding ring. 'My wife must be worried sick.' 'You are married?' 'Yes, almost 10 years now. And now she must be alone, pregnant and scared.' 'Pregnant?' Nora asks. Alan starts crying. He explains how his girlfriend from college pressured him into taking a job because she was pregnant back then. They got married and then had the child who then passed away. They didn't think they could have another child, the pain was too much. 'But then Maria got pregnant again... that was 6 months ago.' He sobs. Nora slowly walks toward him. 'Hey ... don't worry, I'm sure we'll get out'. She reaches her arm towards his shoulder. As soon as they touch, the lights go pitch black and, a moment later, pillows appear. They tense up and stare at them. Alan gets up, wiping the tears off his face. 'Wait a second...' He suddenly grabs her arm. The lights go out again, and candies appear. 'I get it,' says Alan, terrified, 'when I gave you my shirt, and just then my shoulder and now your arm... they want us to touch each other!' Puzzled, Nora puts a hand on Alan's chest, over his undershirt. Nothing happens. Alan moves her hand slowly to his exposed skin, the lights go black and more candies appear. CU on the security camera zooming in. They both look at each other. Alan is the first one to understand and takes a step back and says, 'Oh my god' as he grabs his face. Nora goes 'What? Now we know how to get food!' 'Don't you get it Nora...They are watching us... they reward us when we touch skin on skin. This is some twisted pervert!' (trailer moment). Nora stares at him. Then she looks at the clock. Then looks at the security camera, she walks towards it. She takes off her tank top revealing her breasts. A green light flashes, and the clocks beeps fast-forwarding to 09:59:59. Alan in horror tries to look away muttering 'what are you doing?'. She pulls down her skirt and panties. The green light flashes, and the clocks beeps fast-forwarding to 00:04:59:59. Her attitude suddenly changed, she is now more aggressive. She turns toward Alan and goes to him. 'Get naked Alan, that's what they want!' She tries to pull him up. He struggles to not look at her. 'Come on, you pussy, we're not at church! We can get the fuck out of here if we give them what they want! Strip!' Alan collects himself. 'All right... all right'. He takes off his undershirt and pants. The green light flashes, and the clocks beeps fastforwarding to 00:59:59 and counting down. As Alan finishes taking off his socks, Nora screams 'Ok! Now what!? You sick fucks!' When Alan is done, one of the five led lights under the clocks lights up. They stare at it for a beat. Nora turns to Alan 'You need to fuck me!' Alan stares back in silence. 'You were right Alan, this is a fucked up little circus we've been put into. I bet you they want us to fuck before the clock hits zero.' Alan stutters 'But I ... My wife... I just...' Nora pins him against the wall, 'Look, it's this or we are both gonna be in here for ever or until we starve. I know you are a good man, but I want to get out of here, I know you do too! Do it FOR your wife, do it FOR your kid!' Nora points at the security camera as she says ' Tell them! Tell them you will fuck me!' Alan takes a moment, then says 'Ill... I'll do it. I'll fucking do it!'. Nora drops to her knees and start blowing him. After a minute or so, a second led light lights up under the clock. Alan says: 'It's working!' They descend in BG sex scene where Nora dominates and yells at the security camera 'You like what you see?' etc... As they change position, the led lights turn on one after the other leaving only one off. Alan's attitude gradually changes as he his pumped by Nora's yelling. As Alan is stroking his dick before cumming onto Nora's face, they both say the each other 'It's almost over, we're getting out! Almost there' and then to the camera 'That's what you wanted you twisted perverts?' He cums on her face. They take a beat looking into each other's eyes, proud of themselves. Alan is then struck by what he just did and stumbles backward. Nora then turns to the clock, now reading 00:00:20 and still counting down, with one led still off. 'It didn't work' says Nora. 'It's still counting down!' Alan comes near her. They both are now hysterical, yelling 'Wait, we'll do it again, please, no let us g..!'. Their voices are cut off over the image of the clock going to 00:00:00. Credits over total silence. ]]> Thu 16 Jan 2020 15:33:11 +0200 https://www.megatube.xxx/albums/12315/19-year-old-girl-eliza-jane-held-by-unknown-powers-and-tricked-into-fucking-for-freedom/ https://www.megatube.xxx/albums/12319/teen-girls-eliza-jane-and-whitney-wright-skip-class-and-end-up-fucked-by-paranoid-homeless-man/
SCENE opens as two schoolgirls, Ashley and Nina, whip around a street corner and wipe the frame. They are laughing, almost out of breath, as Ashley says, 'I can't believe you almost got us caught shoplifting!' The girls slow down to a walk and Nina pulls two bikinis from her backpack. She calls Ashley a pussy and teases her that she'd never actually get them caught! Besides, now they have a new look for Summer. They small talk as they walk down the street: about school, gossip and the basketball team. Nina is 19-years-old, a year older than Ashley. She is known around school as a difficult girl with a history of bad behavior. But, Ashley is a follower. A loner for most of her life, Nina has been the first friend she's ever really had, so she lets herself get pressured into situations past her comfort zone. They reach another corner. 'What do you want to do now?' Ashley asks, 'I can't go home yet. They'll know I skipped school.' Nina suggests they go check out this condemned lot at the end of her street. It's about to be demolished. Some mid-century mansion where they used to host celebrity orgies and stuff. Ashley looks at her friend sideways and Nina laughs, running ahead. 'Just kidding,' she yells over her shoulder. 'Are you coming or what?' Ashley hesitates for a second before running after her friend. CUT TO TITLE PLATE The camera weaves through a junk-filled yard to find Ashley and Nina wandering through the mess. Nina is telling her friend more about the history of the property (or, at least, according to her father) as Ashley looks around nervously. She is worried about them trespassing. They come upon the house itself, old and derelict. It hasn't been lived in for years and, apart from some garbage, sits completely empty. 'Isn't this so fucking cool?' Nina says, pulling her friend inside and spinning around the living room. Ashley forces a smile. She finds the place creepy. Nina pulls out a cigarette and lights it, starting to boast about all the things she'd do if she could gut the place herself. She passes the cigarette to Ashley, who awkwardly takes it and puffs without inhaling. Nina reaches into her backpack and tosses her friend an unmarked water bottle. 'What's this?' Ashley asks. 'Just drink it,' Nina replies. 'It's good.' Ashley takes a sip and passes it back. CUT to an hour later. The water bottle is empty. Nina is taking selfies while Ashley sits with her arms around her legs against a wall. She is trying to not let her bare knees touch the dirty floor. Bored, Nina suggests they try on their new bikinis and pose for pictures together. She drags Ashley back up and starts undoing her blouse. The girls strip down and put on the bikini bottoms. Still topless, Nina tries to sneak a photo of Ashley changing as a joke and the girl freaks out, running around the corner to avoid the photo. She trips over something and falls crashing to the floor. Nina comes running after her laughing but stops in her tracks as both her and Ashley look down at the homeless man unconscious on the floor between them. 'Do you think he's alive?' Ashley whispers after a long pause, covering her bare chest. The young man, probably in his late-twenties, lies strewn across the floor in very dirty clothing. He is unshaven, greasy, and drooling. Nina bites her lip and leans over him gingerly, her tits still out. She shakes her head. 'I can hear him breathing,' she whispers back. 'He's probably just passed out.' Ashley runs into the other room to grab her blouse, tossing it on and grabbing Nina's on the way back. When she re-enters, she is shocked to find Nina posing suggestively for a selfie on top of the homeless man. Ashley demands her to stop. 'What?!' Nina retorts. 'This is fucking hilarious. Stop being such a bitch!' Ashley watches anxiously as Nina goes back to her duck faces and suggestive poses. 'I'm going to send these to my boyfriend and tell him I found a better man!' She says, laughing ... and Ashley can't help but crack a smile. Nina begs her to come and take some photos. 'Please,' she says. 'Derek's going to freak out! I have to do it ... just a few more pics and then we can go, promise.' The reluctant friend takes the phone and starts to photograph Nina as she poses around the man and ends up straddling him in a reverse cowgirl pose. As the girls take their final photo, giggling, the homeless man suddenly wakes up with a jolt and grabs Nina. She screams. Ashley drops the phone. The homeless man, dazed and surprised, stammers inaudibly as he clutches Nina. She squirms her way out from under his grasp and crawls towards Ashley who takes her hand and pulls her into the other room. As they scramble to gather their things, he storms after them and pins them into a corner. 'Who are you?' He rants. 'And how did you get in here? How did you find this place? This is my place! Everyone knows this is my place!' The school girls look at each other in shock before Nina slowly responds that they were just taking some photos. The man backs off and looks each of them up and down. 'What kind of photos?' He asks, sounding paranoid. 'It was just a joke,' Ashley mutters. 'A joke?' The man asks, sounding even more paranoid. 'Yes,' Nina jumps in, trying to steer the conversation. 'A joke. I was sending my boyfriend photos of you as a joke.' The man asks how old the girls are. They reply: 18 and 19 years old. He unzips his pants and takes out his erect penis, which causes the girls to step back even further. 'Look at what your joke did!' He says angrily. Ashley looks at her friend in a panic but Nina motions for her to stay back. She approaches the man. 'I'm sorry,' she says. 'I didn't mean to rub up on you like that. I just wanted the photos to look convincing.' There is an awkward silence before Ashley pipes in to warn the man that this is indecent exposure. The man responds that it can be way worse if she wants. There is a cold, intimidating silence before Nina draws a breath and laughs awkwardly to cut the tension. 'You're funny,' she says. 'What's your name?' The homeless man, switching back to paranoia, tells her it's none of her business. He doesn't give away his private information. And they are invading his privacy. 'Well, none of your business, how about you just help us with these photos then ... and we can be on our way?' The man stares at her while Ashley protests in the background. What the hell is Nina doing? She always tags along no matter what, but this has gone too far. Nina tells her to shut up and be cool. 'What kind of photos?' He asks. Nina drops to her knees and looks up at him. 'Just something to make my boyfriend really jealous!' She says, snapping back at Ashley and ordering her to take the photos. Ashley can't believe what her friend is doing. She pleads for them to just leave but the man laughs. 'You're not going anywhere,' he says. Nina tries to calm the situation. 'He's right, Ashley,' she says sternly. 'We are just going to take these photos with him and then we are going to leave.' Ashley begrudgingly takes the photos as Nina smiles beside the man's penis. He starts to ask her questions about it: how she thinks it looks, how it made her feel when she was on top of him. He tells her it has been awhile since he was inside a woman. She feigns a smile and responds to his questions, urging her friend to keep taking the pictures. He asks her if she will put it in her mouth. Nina, not knowing what else to do, say yes and starts to suck on it. Ashley puts the phone down. 'Nina, I've got the pictures ... let's go.' She says. But Nina is now engrossed in sucking the man's dick, as he puts his hands on her head and face fucks her hard. Looking up at Ashley, he asks if she will suck his balls. He always likes it when girls suck his balls. Nina, mouth full of cock, urges her friend to get down on her knees and help her out. They'll go right after. She promises. 'That's right,' the man says, removing his dirty sweat-stained shirt. 'You both make me cum and then you can do whatever you want in my place.' Ashley puts her head in her hands as the man pulls Nina to her feet and pulls down her bikini bottoms. Nina pleads with her friend to stop being a pussy. They are supposed to be best friends. He doesn't smell, and his cock is pretty big. It'll be a funny story. The man pushes her up against a wall and enters her. As he fucks her feverishly, Ashley goes up beside her and demands to know why she is doing this. This is insane. 'Ashley,' Nina yells as she's being pounded. 'I'm your only fucking friend, ok? You're a loser without me and you know it. Now, if you hadn't been such a pussy and ran out the room, we never would have tripped over this guy. We're in this mess together. Just pull down your pants and close your eyes.' Ashley resigns to what her friend is saying, knowing that she's right. They must get of the situation somehow. 'Fine,' she says leaning against the wall and pulling her bottoms down. 'I'll do it. But I'm not sucking your balls!' The homeless man eagerly pulls out and penetrates Ashley. BGG Sex Scene. Throughout the sex, the homeless man feverishly fucks them both, switching between lust and paranoia, while the two girls take it. Nina acts eager and submissive, to get the man to cum faster, and Ashley fucks him to spite what her friend is making her do. In the end, he drops them both to their knees and spreads his cum across their faces. Falling back against the wall, the man starts to put his shirt back on as the two girls grab their things. Ashley looks pissed. Nina thinks it's hilarious. They exit the house together and walk quietly through the junk yard in the moonlight. 'My parents are going to wonder where I am,' Ashley says coldly. 'So, I'm going to go now.' Not waiting for a reply, she storms off into the night leaving Nina standing there. The tough girl yells that she'll see her in class on Monday before starting to walk herself. As she walks alone, she starts to cry, knowing she just lost her best friend. ]]> Tue 31 Dec 2019 14:00:27 +0200 https://www.megatube.xxx/albums/12319/teen-girls-eliza-jane-and-whitney-wright-skip-class-and-end-up-fucked-by-paranoid-homeless-man/ https://www.megatube.xxx/albums/16392/besties-eliza-jane-and-joseline-kelly-explore-each-other-s-bodies/
Besties Eliza Jane and Joseline Kelly explore each other's bodies. ]]> Tue 17 Dec 2019 13:41:28 +0200 https://www.megatube.xxx/albums/16392/besties-eliza-jane-and-joseline-kelly-explore-each-other-s-bodies/ https://www.megatube.xxx/albums/15806/eliza-jane-gets-a-ride-from-a-stranger-and-give-up-her-ass-as-thanks/
Eliza Jane gets a ride from a stranger and give up her ass as thanks. ]]> Wed 20 Nov 2019 13:11:10 +0200 https://www.megatube.xxx/albums/15806/eliza-jane-gets-a-ride-from-a-stranger-and-give-up-her-ass-as-thanks/ https://www.megatube.xxx/albums/14301/cutie-eliza-jane-gets-a-big-cock-and-cum-on-body/
My girlfriend has the cutest voice. It's so sweet sounding - until I'm balls deep in her tight pussy and she's moaning for it. Harder. Faster. Pounding her tight body. Best of all, she loves to fuck around every part of the house… Check it out. ]]> Wed 26 Jun 2019 15:21:19 +0200 https://www.megatube.xxx/albums/14301/cutie-eliza-jane-gets-a-big-cock-and-cum-on-body/ https://www.megatube.xxx/albums/12370/married-couple-having-sex-with-babe-elena-koshka-in-apartments/
SCENE opens inside Mr. Hands' closet. Anne is seated, curled up in a ball, when she hears the knob slowly turn. The door opens, as Sally crawls in towards her friend, her bad leg dragging behind her. In a hushed tone, she tells Anne to stay quiet and they slowly crawl out together. Mr. Hands is passed out on his desk. As soon as the girls get out of the office, they quickly tip-toe through the common areas to the front door. Anne turns to thank her friend and Sally hands her Mr. Westfield's address. 'I copied it off the letter on Hands' desk while he was sleeping,' she says triumphantly. Anne hugs her friend. Sally smiles, reaching into her pocket and retrieving the necklace. 'Thought you might need this too,' she adds. Anne kisses her, before running off the property and into the night. A car pulls up outside a large estate and Anne steps out, thanking the driver for letting her hitch a ride. It drives off leaving her to take in Mr. Westfield's mansion for the first time. It's the biggest, most luxurious house she has ever seen! But, as Anne looks down at her shabby outfit and dirty hands, she has a moment of self-doubt and starts to walk away when a gardener notices her. He calls out, asking who she is and Anne mumbles that she is here to see Ms. Farling. She is the orphan. Another gardener comes around the corner and notices her. He gives the girl a long look before using his intercom to call someone. 'Right this way,' he tells her, as both workers accompany the girl to the front steps. A butler opens the door. He is very polished and handsome, dressed in a tuxedo. 'She is the girl that Ms. Farling told us about,' one of the gardeners says. The butler dismisses them before turning his eyes to the girl. 'You are the prettiest orphan I have ever seen!' He says. 'What is your name and how old are you?' Anne replies, and the butler extends his hand, inviting her inside. CUT TO: The Foyer. As the butler starts to explain the layout, Ms. Farling rushes into the room. She is still in her dressing gown and seems surprised that Anne is here alone. 'Sweetheart,' she says. 'I wasn't expecting you so soon. Is Hands still here? I have some papers for him to sign.' Not wanting to reveal what happened, Anne lies that he dropped her off at the gate but had to leave. Slightly agitated, as if expecting to have more time to prepare for the girl's arrival, Ms. Farling accepts her story. 'I see you've met Bruno, our butler,' she says, placing a warm hand on the butler's chest. He bows slightly. 'He will be at your service, morning, noon and night. But, let me show you the rest of the house. We have a lot to do today to get you prepared!' CUT TO: In a long tracking shot, the trio walk into the kitchen, where a CHEF is busy whisking in a bowl. She stops and stares at the girl. 'This is our personal chef, Mrs. Orchard,' Ms. Farling says before lowering her voice to a whisper. 'She is a little eccentric, but her food is delicious, I promise!' Anne laughs. They move to the living area, where a beautiful maid is extending herself to dust the tall corners of the room. Her stature is accentuated by a somewhat revealing outfit. 'This is Hilda, our housekeeper,' Ms. Farling says. The maid rushes over and gives Anne a warm hug, kissing her on each cheek. 'You are so perfect,' she says softly. 'daddy is sure to love you!' Anne looks up at Ms. Farling in confusion and the assistant grips her shoulders tightly. 'That's just what we call Mr. Westfield in this house,' she tells Anne. 'He is such a role model that I like to think of him as a father figure. It is very important to treat him with respect.' They keep walking, with the maid joining the group. Ms. Farling and the staff knowingly exchange glances, as Anne walks ahead of them innocently. They pass a darkened wing of the house, where a GAURD is standing watch. 'Who is that?' Anne whispers. Ms. Farling quickens her pace, explaining that this is daddy's office. He is inside right now, having a very important meeting and cannot be disturbed. That's why he has protection. Anne looks at the guard nervously. 'Come quickly,' Ms. Farling says. 'You are supposed to be a surprise for daddy ... and I don't want to ruin it.' They turn a corner and spot another well-dressed man. 'This is Michael, our driver,' Ms. Farling continues. 'He will take you wherever you wish to go. We have 12 different cars on the property.' Anne says hello shyly while the handsome driver kisses her hand and introduces himself. He joins them, and they move the tour upstairs. CUT TO: The second floor. As Ms. Farling explains the house's various features and rules, Anne looks around at the staff following them. They are all smiling at her intently. It makes her a little uncomfortable, mostly because she has never had so much attention focused on herself. She sticks close to Ms. Farling and asks the assistant if she really thinks that Mr. Westfield can help her find her real parents. The assistant stops and curtly reminds the orphan that, in this house, he is not Mr. Westfield. He is daddy. She must not forget that. It is a very important rule. Anne apologies but Ms. Farling cuts her off. 'There is no need to apologize, my darling. We are all here to help make sure you give off the best possible first impression tonight when you meet him,' she says. 'I know he is going to be so surprised when he sees that I've brought him a beautiful girl!' Anne looks down at herself again and mutters about not feeling very beautiful. Ms. Farling assures her that it is their responsibility during her stay to ensure she is treated like a princess. Anne should enjoy all the spoils of being at home here -- just as if she were daddy's real daughter. 'And then we can look for my parents?' Anne asks. Ms. Farling nods, adding that if anyone has the right connections to find them, it will be daddy. The staff eye each other and the girl lustfully. 'What would you like us to do first, Anne?' the butler asks, putting his arms on Anne's waist. 'We will do anything you want!' adds the driver. Ms. Farling smiles as the maid grabs Anne's shoulders from behind. 'How about we get you cleaned up?' She says, whispering in her ear. Anne gulps before slowly nodding and telling them that a shower would be nice. 'I think you're really going to like it here!' The assistant says warmly, leaning in to kiss the young orphan on the cheek. CUT TO: The bathroom. Anne is naked in the shower, being washed by Ms. Farling and the maid who have taken off their clothes to join her. She seems very awkward at their touch but is trying to fit in -- she wants to like it here. She needs to like it here. As they sensually scrub her body, Ms. Farling tells the orphan all about their boss. He is such a high-profile, busy man that he has never settled down or had a family of his own. When she began planning this charity event, she knew it was a perfect opportunity to change that. She wants to give daddy a feeling he's never been able to enjoy, despite his success. Ms. Farling seems so proud of her plan that Anne doesn't want to bring up her parents again. It might seem rude. But, that's all that she can think about. The women continue to stress the point of making a good first impression to daddy, so much so that Anne becomes very visibly anxious about it. The maid asks the orphan if she is OK and, after some coaxing, Anne admits that she's nervous to meet him. She's never been given so much before and she doesn't want to screw it up. Ms. Farling starts to steer the conversation towards how she and her staff deal with stress. They help each other relax, in every possible way. Taking a cue from the assistant, the maid chimes in to ask if Anne has ever enjoyed an orgasm. Anne confesses that she's never had one -- she won't admit what happened with Mr. Hands, but she alludes to having had a past negative experience. The women are surprised and insist that they help her -- especially if she wants to be relaxed for this evening. After a bit of coaxing, Anne agrees. She trusts the women. The maid and Ms. Farling work together to make Anne cum before leading the overwhelmed girl out of the shower where the butler and driver are waiting. They dry her off and then ask permission to make her orgasm too. Anne hesitates again but Ms. Farling reiterates the importance of what they are doing. They are only trying to help her prepare for tonight. 'And you really think that daddy will be able to find my parents?' Ms. Farling says yes, and Anne ultimately agrees. She has come so far already, she can't stop now. The staff take turns having sex and pleasuring her. After they have finished, Ms. Farling dismisses the others, so she can help get Anne dressed. Excited at the prospect of giving daddy his surprise, the assistant proclaims she has the perfect outfit set aside! CUT TO: The dining room. Anne sits at a beautifully appointed table, wearing a stylish red dress and looking like the opposite of the orphan who arrived just hours earlier. The entire staff is also seated but the head of the table remains empty. After a long, awkward pause, daddy bursts into the room flagged by his guard. He is on his phone with his lawyer, clearly in a very bad mood, and pays no attention to the girl sitting beside him. The staff look at each other anxiously. Slamming his phone down, he demands to know what's being served as the CHEF ladles some soup into his bowl. 'Roasted carrot with crème fraiche,' she replies. daddy makes a face and starts eating, as he tells Ms. Farling to go over his itinerary for the rest of the week. His assistant pulls out her tablet and starts to break it down for him while Anne twitches in anticipation. At a certain point, daddy looks over and notices her. 'Who the hell is this kid?' He asks his assistant gruffly. Ms. Farling reminds him about the upcoming charity event he's hosting and how she was tasked to bring in an orphan to spend the week with him as part of the publicity campaign. daddy looks Anne up and down before replying that he thought she was going to get a child. 'How old are you?' He asks. Anne replies meekly that she is eighteen. daddy grunts and tells Ms. Farling that a teenage girl is the last thing he needs in his house. Ms. Farling protests, advising him that it would be a nice idea to have him spend some quality time with a nice young woman, since he isn't married and never had a daughter. He stares at her coldly without responding. 'Besides ...' she nervously adds. 'It will look very good for your image, daddy. It will show the public a softer side to the Westfield empire and, hopefully, downplay some of the recent rumors...' daddy mulls this over before finally agreeing and asking for the next course. While everyone eats their meal, Ms. Farling keeps encouraging Anne to talk about herself. She tells the businessman all about her life in the orphanage, the other girls she grew up with, and how happy she is to have been chosen to represent him as his daughter for the week. daddy remains cold despite all her efforts to charm him and the staff are so preoccupied with making sure the pair get along that is causes a lot of tension around the table. Finally, daddy excuses himself for bed and leaves abruptly, accompanied by his guard. Anne is crestfallen. 'He hates me, I just know it!' She says pitifully. 'Please don't send me back Ms. Farling ... I'll do anything to stay!' Hugging her tightly as the rest of the staff solemnly clear the table, Ms. Farling tells her not to give up. She will make sure Anne is not sent back to the orphanage. But, she needs her to be a little more convincing. daddy has a hard shell, but he is soft on the inside. All he needs is to feel like he is in control of the situation. That's how he runs his business. Anne asks what else she can do and, helping her to her feet, Ms. Farling suggests she go and say goodnight to the man - alone. If she can prove what a good girl she is, daddy will surely want her to stay and help her find her parents. As Ms. Farling accompanies Anne to the stairwell, she reminds her of how good the staff made her feel earlier. Anne nods nervously. 'That is how daddy likes it too,' the assistant adds. 'Remember that!' They walk to daddy's door, where the guard is standing. Ms. Farling tells him that Anne is going in to say goodnight and he lets her pass. She glances back at Ms. Farling, who shoos her in with a final look of encouragement. When she disappears, the assistant turns back to the guard and tells him to take a break. She needs to monitor this herself. The guard flashes her a quick smile and speaks for the first time. 'Bringing him a teenage orphan ... that's low even for you, Farling!' he jokes. 'Yes,' Ms. Farling replies curtly 'I know. But anything is better than the hookers at this point!' The guard walks off, leaving the assistant alone at the door. CUT TO: daddy's bedroom. The man is under the covers, in his pajamas, and on his phone when Anne enters timidly. 'What are you doing in here?' He demands, shocked to see her. 'Nobody comes in my room without my permission!' Anne, putting on a brave face, marches over to the bed and tells him that she wants to say goodnight. They may have got off to the wrong foot downstairs, but she wants him to know that she is the best possible orphan for his charity event. daddy is not amused. He asks if his assistant put her up to this. 'That woman is always meddling in my private affairs,' he grumbles. Anne bites her lip and sits down on the bed boldly. 'Now listen daddy,' she says. 'You are rich, powerful, and very intimidating. When I walked into your house today, I knew I had walked in to somewhere special. And I'm going to be the greatest daughter you've ever dreamed of -- even if it is only for pretend!' daddy cuts Anne off and gets right into her face. 'I don't need a daughter,' he replies. 'I just need a photo op!' Anne shrinks back. She mumbles something about being a good girl. daddy laughs. 'When I want a girl, I hire one. I don't want to be your fucking parent!' He barks, turning back to his phone. 'Now get out of here before I call security.' Anne slowly gets off the bed and starts towards the door, crying. She knows that daddy is the key to her future, to finding her real parents. If she leaves now, she leaves with nothing. Like Ms. Farling said, she just needs to convince him. Something inside her snaps and Anne spins around. 'You're wrong!' she screams, storming back to his bedside. 'You do need someone to love. Not someone you have to pay for; someone who will worship you and respect you!' She breaks down before him, twitching in her red dress. 'I have spent eighteen years searching for my parents. They abandoned me. But you won't!' daddy doesn't know what to do. He tells the frazzled girl to away from him. She's a god-damn kid, what will the press think? Anne starts to cry in a panic. 'They will think I am going to be your new daughter. I promise to be a good girl for you. I promise you will come to love me ... if you just give it a chance. I will do anything you ask, daddy! BUT I'M NOT LEAVING THIS ROOM!' She starts to climb on the bed towards him as he shrinks back, yelling for Ms. Farling. 'She only wants what's best for you too,' Anne continues pleading. 'Just give me a try, daddy... I need your help!' daddy gets very angry and leaps out of bed to physically escort Anne out. She kicks and screams as he struggles to carry her to the door. In desperation, she starts to kiss and grab at him too. They struggle before he throws her back on the bed. 'Are you making a pass at me, little girl?' He growls, towering over her. 'Because I will tear you up!' Not knowing what to do, the tear-streaked orphan tells him yes, if that's what he wants. He can do whatever he wants to her if he will just let her stay and help her afterwards. Her constant advances awaken something inside of daddy and the icy, distant man rips her dress off. Staring down at the naked girl, he reveals himself and tells her to suck it. It's been days since he could hire a girl anyway. The harder he pounds; the more Anne calls him daddy and begs for him to accept her. She slowly breaks the man down. His hate fucking slowly turns into passionate sex, with the pair kissing and acting lovingly by the time daddy cums inside of her. Their sex is INTERCUT with shots of Ms. Farling watching and masturbating from outside the door. After they have finished, Anne kisses daddy and they share a tender moment. Ms. Farling enters and, giving her boss a knowing look, informs Anne that it is time for bed. 'You see, I always have your best interests at heart, don't I daddy?' She says and leads the naked orphan out of the room, holding her hand. The man falls back on his bed and a smile crosses his face. CUT TO: Anne's new bedroom. Ms. Farling tucks Anne in and kisses her on the forehead, telling her how proud she is of everything the young orphan did to prove herself. She knew Anne was special! Once alone, Anne says a short prayer to her parents. She tells them that she is doing everything she can so that one day they will be reunited. Hopefully. She falls asleep happily, holding on to her broken heart. ]]> Wed 13 Feb 2019 18:56:39 +0200 https://www.megatube.xxx/albums/12370/married-couple-having-sex-with-babe-elena-koshka-in-apartments/